Review: Voice, instruments mix well in Wichita Symphony Orchestra’s performance of ‘Carmina Burana’: The Wichita Eagle

November 17, 2012
David Baxter
Wichita Eagle Correspondent

“Soprano Monica Yunus demonstrated a scintillating technique projecting the highest tones with shimmering vigor.”

Daniel Hege and the Wichita Symphony Orchestra presented Carl Orff’s colorful aural tableau “Carmina Burana” in the Century II Concert Hall on Friday evening. This performance was in the Orchestra’s popular “Blue Jeans” format; the performers were casually attired and Hege engaged the audience during the performance with illuminating commentary.

“Carmina Burana” is a setting of 24 medieval poems which form a broad ranging commentary on life and human nature. This work is by far Orff’s most enduring compositions; subsequent pieces by Orff developed many of the same concepts and are more operatic, but they have never become part of the repertory. “Carmina Burana” calls for multiple choruses, three soloists and a large symphony orchestra including a substantial battery of percussion.

All performers accorded themselves well in Friday evening’s performance which included the Friends University Singing Quakers, along with the Wichita Symphony Chorus and the Wichita Community Children’s Choir. The choruses were well rehearsed and powerful. The soloists each possessed splendid voices. Baritone Dan Kempson had a wonderfully rich, yet strikingly clear tone. Tenor Matthew DiBattista captured the expressive nature of his one solo aria with spirit and personality. Soprano Monica Yunus demonstrated a scintillating technique projecting the highest tones with shimmering vigor. As performers, each soloist was charming and compelling.

Hege’s pacing of the piece was enjoyable, and the Orchestra handled the demands of the score well. Orff’s complex textures present many challenges. The power and precision of the brass and percussion sections did the piece great justice and the strings and woodwinds translated the notes into meaningful images.


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